AUGUST is Women in Translation Month!
We’re excited to kick off Women in Translation Month with the works by women in translation that we’re excited about. If you’re looking for a good book to start your month with, here are a few places to start.
DRIVE YOUR PLOW OVER THE BONES OF THE DEAD by Olga Tokarczuk
“Extraordinary. Tokarczuk’s novel is funny, vivid, dangerous, and disturbing, and it raises some fierce questions about human behavior. My sincere admiration for her brilliant work.” —Annie Proulx
In a remote Polish village, Janina devotes the dark winter days to studying astrology, translating the poetry of William Blake, and taking care of the summer homes of wealthy Warsaw residents. Her reputation as a crank and a recluse is amplified by her not-so-secret preference for the company of animals over humans. Then a neighbor, Big Foot, turns up dead. Soon other bodies are discovered, in increasingly strange circumstances. As suspicions mount, Janina inserts herself into the investigation, certain that she knows whodunit. If only anyone would pay her mind . . .
A deeply satisfying thriller cum fairy tale, Drive Your Plow over the Bones of the Dead is a provocative exploration of the murky borderland between sanity and madness, justice and tradition, autonomy and fate. Whom do we deem sane? it asks. Who is worthy of a voice?
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THE MEMORY POLICE by Yoko Ogawa
A haunting Orwellian novel about the terrors of state surveillance, from the acclaimed author of The Housekeeper and the Professor.
On an unnamed island, objects are disappearing: first hats, then ribbons, birds, roses. . . . Most of the inhabitants are oblivious to these changes, while those few able to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten. When a young writer discovers that her editor is in danger, she concocts a plan to hide him beneath her f loorboards, and together they cling to her writing as the last way of preserving the past. Powerful and provocative, The Memory Police is a stunning novel about the trauma of loss.
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GROVE by Esther Kinsky
“Grove is a story of an existence stilled by loss, but the promise of life, and with it renewal and hope, pulses gently but steadily at its heart.”–Lucy Scholes, Financial Times
An unnamed narrator, recently bereaved, travels to a small village southeast of Rome. It is winter, and from her temporary residence on a hill between village and cemetery, she embarks on walks and outings, exploring the banal and the sublime with equal dedication and intensity. Seeing, describing, naming the world around her is her way of redefining her place within it. In Kinsky’s Grove, winner of the 2018 Leipzig Book Prize, grief must bear the weight of the world and full of grief the narrator becomes one with the brittle manifestations of the Italian winter.
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THE STORY OF MY TEETH by Valeria Luiselli
“Luiselli follows in the imaginative tradition of writers like Borges and M rquez, but her style and concerns are unmistakably her own. This deeply playful novel is about the passion and obsession of collecting, the nature of storytelling, the value of objects, and the complicated bonds of family. . . Luiselli has become a writer to watch, in part because it’s truly hard to know (but exciting to wonder about) where she will go next.”–The New York Times
I was born in Pachuca, the Beautiful Windy City, with four premature teeth and my body completely covered in a very fine coat of fuzz. But I’m grateful for that inauspicious start because ugliness, as my other uncle, Eur pides L pez S nchez, was given to saying, is character forming.
Highway is a late-in-life world traveler, yarn spinner, collector, and legendary auctioneer. His most precious possessions are the teeth of the “notorious infamous” like Plato, Petrarch, and Virginia Woolf. Written in collaboration with the workers at a Jumex juice factory, Teeth is an elegant, witty, exhilarating romp through the industrial suburbs of Mexico City and Luiselli’s own literary influences.
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TENDER IS THE FLESH by Agustina Bazterrica
Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore.
His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing.
Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.
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ON LIGHTHOUSES by Jazmina Barrera
This book is a light at the end of the tunnel.” –The Paris Review
Far from home, in the confines of a dim New York apartment where the oppressive skyscrapers further isolate her, Jazmina Barrera offers a tour of her lighthouses–those structures whose message is “first and foremost, that human beings are here.”
Starting with Robert Louis Stevenson’s grandfather, an engineer charged with illuminating the Scottish coastline, On Lighthouses artfully examines lighthouses from the Spanish to the Oregon coasts and those in the works of Virginia Woolf, Edgar Allan Poe, Ingmar Bergman, and many others.
In trying to “collect” lighthouses by obsessively describing them, Barrera begins to question the nature of writing, collecting, and how, by staring so intently at one thing we are only trying to avoid others. Equal parts personal memoir and literary history, On Lighthouses takes the reader on a desperate flight from raging sea to cold stone–from a hopeless isolation to a meaningful one–concluding at last in a place of peace: the home of a selfless, guiding light.
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HURRICANE SEASON by Fernanda Melchor
The English-language debut of one of the most thrilling and accomplished young Mexican writers.
The Witch is dead. And the discovery of her corpse—by a group of children playing near the irrigation canals—propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village.
Like Roberto Bolano’s 2666 or Faulkner’s greatest novels, Hurricane Season takes place in a world filled with mythology and violence—real violence, the kind that seeps into the soil, poisoning everything around: it’s a world that becomes more terrifying and more terrifyingly real the deeper you explore it.
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GARDEN BY THE SEA by Merce Rodoreda
“Rodoreda has bedazzled me by the sensuality with which she reveals things within the atmosphere of her novels.”–Gabriel Garcia Marquez
The novel that defined Merc Rodoreda’s most prolific period is finally available in English for the first time. Set in 1920s Spain, Garden by the Sea takes place over six summers at a villa by the sea inhabited by a young couple and their beautiful, rich, joyous friends. They swim, drink, tease each other, and fully enjoy themselves. All the while, the guests are observed by the villa’s gardener, a widower who’s been tending the garden for several decades. As the true protagonist of the novel, we get to see the dissolution of these magical summers through his eyes, as a sense of darkness and ending creeps in, precipitated by the construction of a new, larger, more glamorous villa next door.
Considered by many to be one of the greatest writers of the twentieth century, Rodoreda has captivated readers for decades with her exacting descriptions of life–and nature–in post-war Spain, and this novel will further her reputation and fill in an important piece of her oeuvre.
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CONVENIENCE STORE WOMAN by Sayaka Murata
The surprise hit of the summer and winner of Japan’s prestigious Akutagawa Prize, Convenience Store Woman is the incomparable story of Keiko Furukura, a thirty-six-year-old Tokyo resident who has been working at the Hiiromachi “Smile Mart” for the past eighteen years.
Keiko has never fit in, neither in her family, nor in school, but in her convenience store, she is able to find peace and purpose with rules clearly delineated clearly by the store’s manual, and copying her colleagues’ dress, mannerisms, and speech. She plays the part of a “normal person” excellently–more or less. Keiko is very happy, but those close to her pressure her to find a husband and a proper career, prompting her to take desperate action.A sharp-eyed look at contemporary work culture and the pressures we all feel to conform, Convenience Store Woman offers a brilliant depiction of a world hidden from view and a charming and fresh portrait of an unforgettable heroine.
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MINOR DETAIL by Adania Shibli
A searing, beautiful novel meditating on war, violence, memory, and the sufferings of the Palestinian people
Minor Detail begins during the summer of 1949, one year after the war that the Palestinians mourn as the Nakba—the catastrophe that led to the displacement and exile of some 700,000 people—and the Israelis celebrate as the War of Independence. Israeli soldiers murder an encampment of Bedouin in the Negev desert, and among their victims they capture a Palestinian teenager and they rape her, kill her, and bury her in the sand.
Many years later, in the near-present day, a young woman in Ramallah tries to uncover some of the details surrounding this particular rape and murder, and becomes fascinated to the point of obsession, not only because of the nature of the crime, but because it was committed exactly twenty-five years to the day before she was born. Adania Shibli masterfully overlays these two translucent narratives of exactly the same length to evoke a present forever haunted by the past.
An intense and penetrating work about the profound impact of living with violence—Shibli’s work is powerful and this translation by Elisabeth Jaquette is rendered with exquisite clarity and quiet control.
— Katie da Cunha Lewin
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THE SPHINX by Anne Garreta
Sphinx is the remarkable debut novel, originally published in 1986, by the incredibly talented and inventive French author Anne Garréta, one of the few female members of Oulipo, the influential and exclusive French experimental literary group whose mission is to create literature based on mathematical and linguistic restraints, and whose ranks include Georges Perec and Italo Calvino, among others.
A beautiful and complex love story between two characters, the narrator, “I,” and their lover, A***, written without using any gender markers to refer to the main characters, Sphinx is a remarkable linguistic feat and paragon of experimental literature that has never been accomplished before or since in the strictly-gendered French language.
Sphinx is a landmark text in the feminist, LGBT, and experimental literary canons appearing in English for the first time.
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MY HEART HEMMED IN by Marie Ndiaye
Marie NDiaye has long been celebrated for her unrivaled ability to make us see just how little we understand about ourselves.
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