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« Tuesday May 15, 2012 »
Tue
Gallery Show: Lillian Bassman prints -- Miami Beach
Check out 17 prints from famed fashion photographer Lillian Bassman, who died just last month, at Books & Books Miami Beach. Now through June 1.Bassman won acclaim in the 1940s and ’50s with high-contrast black-and-white portraits of models that had a dreamy quality. In the 1990s, she rediscovered a stash of lost negatives and emerged as a fine-art photographer.A new book of her work Lillian Bassman: Lingerie has just been published. As Ginia Bellafante put it in the New York Times recently, “In place of heavyset women constraining themselves in what was essentially equipment, Ms. Bassman deployed immeasurably lithe models, conveying a world in which women seemed to linger in the pleasures of their own sensuality.” Fifty years later, these images have lost none of their allure, and the enormous cultural impact of the TV show Mad Men has given them new currency.  1. It’s a Cinch, model: Carmen, Merry Widow by Warner’s, 1951, for Harper’s Bazaar, © Lillian Bassman  2. Southwest Passage—Sunset Pink, pajamas by Kickernick, 1951, for Harper’s Bazaar, © Lillian Bassman   3. The Line Lengthens, lingerie by Lily of France, 1955, for Harper’s Bazaar, © Lillian Bassman     4. Silo, Bra and Panties, 1948 (advertisement for Firestone Contro elastic yarn), © Lillian Bassman   
Jon Jefferson of the writing team Jefferson Bass -- The Inquisitor's Key -- Gables
Start: 8:00 pm
Miranda Lovelady, Dr. Bill Brockton's protege, is spending the summer helping excavate a newly discovered chamber beneath the spectacular Palace of the Popes in Avignon, France. There she discovers a stone chest inscribed with a stunning claim: inside lie the bones of none other than Jesus of Nazareth. Faced with a case of unimaginable proportions, Miranda summons Brockton for help proving or refuting the claim. Both scientists are skeptical--after all, fake relics abounded during the Middle Ages--but evidence for authenticity looks strong initially, and soon grows stronger.Brockton and Miranda link the bones to the haunting image on the Shroud of Turin, revered by millions as the burial cloth of Christ, and then a laboratory test finds the bones to be two thousand years old. The finding triggers a deadly tug-of-war between the anthropologists, the Vatican, and a deadly zealot who hopes to use the bones to bring about the Second Coming--and trigger the end of time.Set against an international landscape, and weaving a rich tapestry of religion, history, art, and science, The Inquisitor's Key (William Morrow, $25.99) takes Jefferson Bass to an exciting new level of suspense.
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