Check out 17 prints from famed fashion photographer Lillian Bassman, who died just last month, at Books & Books Miami Beach. Now through June 1.Bassman won acclaim in the 1940s and ’50s with high-contrast black-and-white portraits of models that had a dreamy quality. In the 1990s, she rediscovered a stash of lost negatives and emerged as a fine-art photographer.A new book of her work Lillian Bassman: Lingerie has just been published. As Ginia Bellafante put it in the New York Times recently, “In place of heavyset women constraining themselves in what was essentially equipment, Ms. Bassman deployed immeasurably lithe models, conveying a world in which women seemed to linger in the pleasures of their own sensuality.” Fifty years later, these images have lost none of their allure, and the enormous cultural impact of the TV show Mad Men has given them new currency.  1. It’s a Cinch, model: Carmen, Merry Widow by Warner’s, 1951, for Harper’s Bazaar, © Lillian Bassman  2. Southwest Passage—Sunset Pink, pajamas by Kickernick, 1951, for Harper’s Bazaar, © Lillian Bassman   3. The Line Lengthens, lingerie by Lily of France, 1955, for Harper’s Bazaar, © Lillian Bassman     4. Silo, Bra and Panties, 1948 (advertisement for Firestone Contro elastic yarn), © Lillian Bassman   

A Different Light (Duke Univ., $29.95) is the first in-depth study of the work of Sebastiao Salgado, widely considered the greatest documentary photographer of our time. Parvati Nair offers detailed analyses of Salgado's best-known photo-essays, including Workers, Migrations and Genesis. Nair engages broad questions about aesthetics, history, ethics, and politics in documentary photography. She draws on conversations with Salgado and his wife and partner, Lelia Wanick Salgado, to explain the significance of the photographer's life history, including his roots in Brazil and his training as an economist; his perspectives; and his artistic method. Underpinning all of Salgado's major projects is a concern with displacement, exploitation, and destruction--of people, communities, and land. Salgado's images exalt reality, compelling viewers to look and, according to Nair, to envision the world otherwise. 8pm