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« Wednesday April 04, 2012 »
Wed
Gallery Show: Lillian Bassman prints -- Miami Beach
Check out 17 prints from famed fashion photographer Lillian Bassman, who died just last month, at Books & Books Miami Beach. Now through June 1.Bassman won acclaim in the 1940s and ’50s with high-contrast black-and-white portraits of models that had a dreamy quality. In the 1990s, she rediscovered a stash of lost negatives and emerged as a fine-art photographer.A new book of her work Lillian Bassman: Lingerie has just been published. As Ginia Bellafante put it in the New York Times recently, “In place of heavyset women constraining themselves in what was essentially equipment, Ms. Bassman deployed immeasurably lithe models, conveying a world in which women seemed to linger in the pleasures of their own sensuality.” Fifty years later, these images have lost none of their allure, and the enormous cultural impact of the TV show Mad Men has given them new currency.  1. It’s a Cinch, model: Carmen, Merry Widow by Warner’s, 1951, for Harper’s Bazaar, © Lillian Bassman  2. Southwest Passage—Sunset Pink, pajamas by Kickernick, 1951, for Harper’s Bazaar, © Lillian Bassman   3. The Line Lengthens, lingerie by Lily of France, 1955, for Harper’s Bazaar, © Lillian Bassman     4. Silo, Bra and Panties, 1948 (advertisement for Firestone Contro elastic yarn), © Lillian Bassman   
Peter Golden -- Comeback Love -- Bal Harbour Shops
Start: 7:30 pm
More than thirty-five years ago, Gordon Meyers, packed his belongings and reluctantly drove away, leaving behind Glenna Rising, who he couldn’t imagine living without. Decades later, Gordon has a grown son, an ex-wife, and an overwhelming desire to see Glenna again. Though she’s stunned when Gordon walks into her Manhattan office, Glenna agrees to accompany him for a drink. As the two head out into the city, they rediscover the passion that once drew them together—before it tore them apart. Comeback Love (Washington Square, $15) is an evocative journey into the hearts of two lovers who came of age in the 1960s, and who never truly let each other go. Plumbing the depths of youth, regret, and desire, Peter Golden deftly illuminates the bonds that mysteriously endure in the face of momentous change. 
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